Also, there is a segment of the the population which does not have an attraction to athletics. These are your performing arts loving individuals. Anything they can get their hands, eyes, and ears on they will and make it their own. Unfortunately, there are very few avenues for this group of people. They sort of get lost in the crowd when not in their own element.

With the explosion of Glee, many have been establishing glee clubs to perform the types of music which have been done on the TV series just to have fun. Over the last few days, I have been thinking, “Why can’t this concept be tweaked to work with busy adults?” I think it can and those of us who belong to the performing arts club should begin creating such organizations as a means to share music and also as a social medium. Just because we’re adults doesn’t mean we shouldn’t be able to continue to have fun and socialize with music as our core objective.

I would invite anyone who is a member of a college or university chorus to share their thoughts below in a comment.

I have since done some research on it and reflected on it and its structure. The lyrics are Swahili for the christian prayer, “The Lord’s Prayer” or “The Our Father.”  In a time where we need to foster peace in the world, this song should be at the top of the list.

We’re almost done with the first decade in the 21st century. Will we continue to hear muisal tones and ideas be borrowed from the past? Will there be anything new and exciting? I’m sure it’s out there, but finding it is more of a challenge that finding rehashed matterial.

By Daniel Medeiros…

The life of a professional musician has all the allure of a million dollars and a one-way ticket to being famous. Is it worth it? Heck, yes! But the only way to becoming a professional musician (and by “musician,” we mean singers and bands, not professional flautists) is to land a record deal. Whether you’re aiming for a mainstream or an indie share of the pie, you need that label to get heard.

Wait, but it’s tough to get signed to a label, right? True. And while there are many changes happening in the music industry right now (especially on the technological side), there is still no better way to make money as a musician than by having an established record label market your music. So how do you sell your soul to the corporate devil? It’s rather tricky, but we’ll walk you through the steps. (And don’t worry, it won’t involve an evening with RIAA President Hilary Rosen, a bottle of tequila, and a Barry White album.)

Unless you’re the next Beatles, there are a thousand other bands like you – so make yourself stand out from the rest by being professional from the beginning…No one will want to sign you unless you’re going to make them money. As such, you and your band must be confident, experienced, dedicated, and have it together (in other words, you must look like you will bring in money).

I have the assumption that you do not have a manager and that you are trying to get signed on your own. If you do have a manager, let the poor guy or gal do his/her job and you just stay out of the way. Otherwise, you need us bad.

http://www.reverbnation.com/jazzalikes

Article Source: http://www.articlesbase.com/music-articles/no-business-mindno-record-deal-605842.html

About the Author:

DM is an excellent allround world jazz guitarist ,fulltime studio musician,project leader,show case session host and a full time concert touring artist in the music business and entertainment projects…As an unsigned and independent artist he’d released various CD compilations on his name such as “remix & pickups”,”Spreads”,”MindCure” which contain not only his own original work material but as well influences of other world artists he likes,played with or scouted…he works always within legal contracts,uses discipline passion and fun in his own work…works with different people but only the finest…He is an improviser who uses talent and virtuosity combined with technic..Travels for his own work,composes,arranges and believes in nature…He is a capricorn by birth and on earth that’s what he believes!…He is a child of the world a world cosmopolitan someone with an interesting character to know, a friendly guy always ready to help others in any circumstance of life but depends what and who!… Somebody experience courageous ambitious, warm,with a dream…A hard worker,direct to the point but always respecting the meaning of others…Somebody who’s not to be taken for granted & who’s never afraid to speak languages or to be mixed in different worldwide cultures socially and musically.

http://www.reverbnation.com/jazzalikes

Night after night, guests sit for hours with drinks listening and “participitating” in his nightly sets. He covers everything from old time rock and roll to current pop along with some of his own original works. It almost seems that people get an addiction to Bert after so many nights of constant listening.

Bert’s philosophy is that everyone should spread joy through laughter and hugs as it is those two things which create endorphines that change how a person feels. By interjecting a little bit of fun and excitement into his cover performances of popular songs and oriinals, he changes people through his music.

Even though he did a very similar set every night, there was something unique and personal about every show. Although he had a general set list for each night, he played what the audience wanted to hear whether it was rock, ballads or originals. That made each and every show worth seeing. I hope that I will get to experience Bert again at some point.

We all know that style is heavily dictated by stars who wear them. Style and the clothes that are worn by the artists on stage make an impression. Therefore, if an artist is made to wear something provocative, it sends out a non-verbal message that it is Ok to wear styles of that type when it really should not be. Wearing those styles can also send out misinformation about yourself. For example, if you’re going to wear something provocative just because an artist wore it, it is saying to others that you are seeking sexual pleasure when indeed you are the opposite.

We need more artists and record labels to promote positive actions in our current society rather than the negative that we have been bombarded with over the last couple of decades. Artists have always been able to make people aware of what is going on in the world and the changes that need to be made. Well…The one change that can be made can begin with them and that is doing what is right if they want to be models for others.

When looking to do a recording, one of the decisions that could make or break a record is where and how it is recorded. With today’s recording technology, recording can be done just about anywhere allowing greater options to the performer. One can choose to record in the traditional studio or somewhere else which can give the recording a little extra flare. The location can also greatly affect the mood of the musicians playing allowing the recording to be more relaxed. Using an alternative location may also offer a unique effect that no electronic effects generator could reproduce. For example, recording a choir in a gothic cathedral would far outweigh the quality of the recording compared to doing the same recording in a studio or even in a concert hall. The accoustics of the high ceilings along with the materials the building is made from will offer a characteristic that is non-reproducible electronically.

No longer is location an issue when it comes to recording. It used to be that the better recordings were accomplished in the studio. With the way that music technology has evolved, it is now possible to do great works anywhere and sometime better.

Having a background in the performing arts, in particular, has its benefits that really only come out later in life. Studying music does several things to a human being. It improves their ability to analyze, it improves connections in the brain which does wonders for motor coordination. As an academic piece, it may seem senseless to study the different periods of music such as Renaissance, Classical, and Baroque, but the lessons learned in identifying music whether by genre or artist will be remembered throughout life unlike other things we learn in school and forget because their not practical in real life.

Even though higher powers that control what we learn have decided to reduce our exposure to the arts. We need to find ways outside of school education to make it know that an arts background is vital to life. Whether it be going to a local concert or show, there is something in live music and other performing arts that rewires our brains to do things that we are not aware are possible.

Since we can’t all go to the concert venue every day, we rely on the great invention of Thomas Edison, the sound recording. Sound recordings allow us to experience music over and over again from wherever we are, the only difference is we don’t have that “Live” experience. Recordings are second generation from the original. One looses the physical experience of being there and having the sound envelop them. Yes, a recording done of a live concert has more of the interactive feel since it was based on the interaction of the audience with the performers, but the feeling is no longer there. Studio recordings are different as they are “manufactured” by the assistance of people and equipment in sterile environments.

Lately, with digital music players, there is something even more important lost and that is sound quality. If we were to listen to a live concert, then a recording, followed by a compressed digital version of the same recording, we would begin to notice differences. Sound is lost in the transfer from one to the other. The recording of the live concert was the greatest, the live recording is almost like being there as only a little was lost sound wise, but the third, if we really trained our ears to listen, would certainly teach us a lesson about compromising quality.

Even though records were replaced by CDs for the pureness, there was something about a record in terms of sound quality that outperformed digital. Records had the ability to reproduce a fuller reproduction of the original sound. Therefore, the listening experience was closer to the real thing and making a tape copy was a close second for similar reasons.

Regardless of media, there is one thing that has been lost in the compromise of sound quality and that is that there are less audiophiles (people who are fanatic about sound). Most of us have come to accept less than great, thus affecting our music appreciation of live music.