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	<title>Steve's Music Roll &#187; Industry</title>
	<atom:link href="http://www.stevesmusicroll.com/category/industry/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.stevesmusicroll.com</link>
	<description>What's Going On In Music...</description>
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		<title>Demise of a Record Giant</title>
		<link>http://www.stevesmusicroll.com/2010/01/20/demise-of-a-record-giant/</link>
		<comments>http://www.stevesmusicroll.com/2010/01/20/demise-of-a-record-giant/#comments</comments>
		<pubDate>Wed, 20 Jan 2010 04:26:34 +0000</pubDate>
		<dc:creator>Stephen Kriso</dc:creator>
				<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[album art]]></category>
		<category><![CDATA[MP3]]></category>
		<category><![CDATA[music rennaisssance]]></category>
		<category><![CDATA[record stores]]></category>
		<category><![CDATA[Sam Goody]]></category>
		<category><![CDATA[Tower Records]]></category>
		<category><![CDATA[Virgin Records Mega Store]]></category>

		<guid isPermaLink="false">http://www.stevesmusicroll.com/?p=41</guid>
		<description><![CDATA[If anyone didn&#8217;t know, many of the Virgin Records Mega stores have closed their doors after many years in business. At first, I was shocked that the store on Broadway in Manhattan shut its door. However, I was really shocked when I found out that the Orlando store located at Downtown Disney in Walt Disney [...]]]></description>
			<content:encoded><![CDATA[<p>If anyone didn&#8217;t know, many of the Virgin Records Mega stores have closed their doors after many years in business. At first, I was shocked that the store on Broadway in Manhattan shut its door. However, I was really shocked when I found out that the Orlando store located at Downtown Disney in Walt Disney World closed its doors I was utmost shocked and realized that the record resales have entered a new era, almost gone.</p>
<p>If we think back before the days of MP3 players and the Internet, the only place we could get the newest recordings from an artist were brick and mortar record stores like Virgin, Tower or Sam Goody. Based on my most current research, all three seem to be now gone. The only remnants of these giants are their online stores.</p>
<p>I remember growing up in the eighties and going to one of the major record stores and looking at all the endless racks that were filled with just about every artist that was current. And&#8230;.there  was a choice between the vinyl, CD or cassette. Eventually the cassettes died as portable CD players around and then came MP3 players. The rest is history. It is now sad to see what actually is stocked on the shelves at stores and those who work there are not even familiar with some of the artists that are requested by us seasoned die hard CD aficionados.</p>
<p>It truly is a shame to see the traditional record stores go by the way side of online. But, it is also sad to acknowledge that the acceptance of less fidelity is getting higher. We have lost the art of being able to truly listen to music and appreciate it in a non-personal player. Along with the sound, the ability to study the album inserts and cover art is also going away. Some of the excitement of buying a new album was in the digesting of the album notes and other documentation that came along with the album, regardless of the format.</p>
<p>I truly feel that an unjust movement in the music industry has transpired over the past decade. Not only have we lost giant businesses, but have lost the ability to appreciate the art for what it is in the larger sense of the matter. The unjust to live music has also sanctioned this demise of the music industry. I hope that at one point we do experience a renaissance in the old traditional sense of experiencing music and the various art forms which were once associated with the release of a new album.</p>
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		<item>
		<title>Quality vs. Monetary</title>
		<link>http://www.stevesmusicroll.com/2009/03/18/quality-vs-monetary/</link>
		<comments>http://www.stevesmusicroll.com/2009/03/18/quality-vs-monetary/#comments</comments>
		<pubDate>Wed, 18 Mar 2009 12:21:43 +0000</pubDate>
		<dc:creator>Stephen Kriso</dc:creator>
				<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Songwriting]]></category>
		<category><![CDATA[mediocrity of music]]></category>
		<category><![CDATA[quality of music]]></category>

		<guid isPermaLink="false">http://www.stevesmusicroll.com/?p=37</guid>
		<description><![CDATA[I think some artists have the ability to create decent work with the new technology, but due to the mediocrity that music has become, the quality of talent imparted into the work is reduced. The record companies are not as interested in the quality of the artist any more as they are in the monetary [...]]]></description>
			<content:encoded><![CDATA[<p>I think some artists have the ability to create decent work with the new technology, but due to the mediocrity that music has become, the quality of talent imparted into the work is reduced. The record companies are not as interested in the quality of the artist any more as they are in the monetary value of the album. That is a double loss to dedicated fans.</p>
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		<item>
		<title>Record Deals Then and Now</title>
		<link>http://www.stevesmusicroll.com/2009/03/02/record-deals-then-and-now/</link>
		<comments>http://www.stevesmusicroll.com/2009/03/02/record-deals-then-and-now/#comments</comments>
		<pubDate>Mon, 02 Mar 2009 17:03:30 +0000</pubDate>
		<dc:creator>Stephen Kriso</dc:creator>
				<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Promotion]]></category>
		<category><![CDATA[Born to Run]]></category>
		<category><![CDATA[Bruce Springsteen]]></category>
		<category><![CDATA[Columbia records]]></category>
		<category><![CDATA[Independent Record labels]]></category>
		<category><![CDATA[record labels]]></category>

		<guid isPermaLink="false">http://www.stevesmusicroll.com/?p=39</guid>
		<description><![CDATA[The record industry has changed drastically in the last 30 years. Up until the end of the 1980s, record companies were relatively leanient toward new artists. Artists were able to be covered by the record label for one or two albums before getting an ultimatum. Now, it&#8217;s a requirement that the song or album be [...]]]></description>
			<content:encoded><![CDATA[<p>The record industry has changed drastically in the last 30 years. Up until the end of the 1980s, record companies were relatively leanient toward new artists. Artists were able to be covered by the record label for one or two albums before getting an ultimatum. Now, it&#8217;s a requirement that the song or album be a hit to get the contract. There is a lot of stress on artists to make it in a time when quality has also been compromised.</p>
<p>A great example of this is Bruce Springsteen. When he started out with Columbia Records, he had two so-so albums before he hit a good one with Born to Run. If Born to Run had not been a success, then Springsteen would have seen the end of his recording career. Now could you imagine that as he is a rock icon 30 years later? Back in the 70s Columbia had backed both previous albums which had lack luster sales. When Springsteen began writing for Born to Run, Columbia was ready to drop him as an artist. If Born to Run had taken a dive, that would have been the end. Fortunately, that album was the beginning of the career.</p>
<p>Today, this would not be the case. It&#8217;s either a go or no go hit and record companies are only looking to sign for one hit. That also makes it harder to ensure a success. Therefore, the independent labels have become the king over the majors.</p>
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		<item>
		<title>Has Recording Become Too Easy?</title>
		<link>http://www.stevesmusicroll.com/2009/02/16/has-recording-become-too-easy/</link>
		<comments>http://www.stevesmusicroll.com/2009/02/16/has-recording-become-too-easy/#comments</comments>
		<pubDate>Mon, 16 Feb 2009 16:22:49 +0000</pubDate>
		<dc:creator>Stephen Kriso</dc:creator>
				<category><![CDATA[Recording]]></category>
		<category><![CDATA[Songwriting]]></category>
		<category><![CDATA[A&R]]></category>
		<category><![CDATA[record companies]]></category>
		<category><![CDATA[record labels]]></category>
		<category><![CDATA[recording methods]]></category>
		<category><![CDATA[songwriting philosophy]]></category>

		<guid isPermaLink="false">http://www.stevesmusicroll.com/?p=36</guid>
		<description><![CDATA[I often wonder whether recording a new album or song has just become too easy in the last two decades. With the advancements in recording technology, it is possible to inexpensively make a recording and get it out. Prior to the miniaturization of equipment and reduction in cost of quality microphones, it took a large [...]]]></description>
			<content:encoded><![CDATA[<p>I often wonder whether recording a new album or song has just become too easy in the last two decades. With the advancements in recording technology, it is possible to inexpensively make a recording and get it out. Prior to the miniaturization of equipment and reduction in cost of quality microphones, it took a large sum of money to record a song or whole album.</p>
<p>With new compact gear and computer recording technology, it has become possible to almost record a whole song or album in a personal project studio, mix it down and publish it to the whole world in a number of different methods. This fast paced production in some ways, I feel, has allowed music quality to become mediocre rather than good. Combined with artists who are not good lyric writers, the number of songs which are considered timeless have depleted. We still turn to recordings which were done in the old fashioned method with dedication, time, and talent.</p>
<p>It may be a mixture consisting of the record companies and the artists that have allowed this to happen. Since the record companies are not as daring as they once were to accept new material, artists are not willing to expend the time to create material which will be overlooked. If cookie-cutter is what is being sought after by the labels, than nothing new will ever transpire unless independent labels take over.</p>
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		<title>The 7 Steps to Making a Great Music Album</title>
		<link>http://www.stevesmusicroll.com/2009/02/13/the-7-steps-to-making-a-great-music-album/</link>
		<comments>http://www.stevesmusicroll.com/2009/02/13/the-7-steps-to-making-a-great-music-album/#comments</comments>
		<pubDate>Fri, 13 Feb 2009 17:00:41 +0000</pubDate>
		<dc:creator>Stephen Kriso</dc:creator>
				<category><![CDATA[Industry]]></category>
		<category><![CDATA[Band]]></category>
		<category><![CDATA[Mastering]]></category>
		<category><![CDATA[Music Composer]]></category>
		<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Music Studio]]></category>
		<category><![CDATA[Musical Arrangements]]></category>
		<category><![CDATA[Producing an Album]]></category>
		<category><![CDATA[Riff]]></category>

		<guid isPermaLink="false">http://www.stevesmusicroll.com/?p=38</guid>
		<description><![CDATA[Author: Somit Bandyopadhyay
You play in a Band or are a Music composer or dream of becoming one… Your next big step is going to be making a timeless album…
Despite how far or near this event looks to you these seven steps should be clear to you in your mind. Helps to have a clear picture [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Author: <a title="Somit Bandyopadhyay" href="http://www.articlesbase.com/authors/somit-bandyopadhyay/118032.htm">Somit Bandyopadhyay</a></strong></p>
<p><em>You play in a Band or are a Music composer or dream of becoming one… Your next big step is going to be making a timeless album…</em></p>
<p>Despite how far or near this event looks to you these seven steps should be clear to you in your mind. Helps to have a clear picture of the future you are about to embark on…</p>
<p><strong>STEP 1: Ideation</strong></p>
<p>The initial spark can come anywhere. Typically one band member or the composer will come up with a starting point which is typically a guitar riff or a musical piece on the Keyboards or the Piano. It is best to have all band members participate in the ideation stage so that the band is truly greater than the sum of the parts. However typically in many bands there is one person who is the creative director of the entire show.</p>
<p>As an individual composer, your initial spark can come from many sources including the songs and musical genres that you are currently listening. This is not the same as being “inspired” or illegally ripping off someone’s musical work. However keep listening to new genres of music to have an open mind and greater exposure.</p>
<p><strong>STEP 2: Background Arrangement</strong></p>
<p>Once you have an initial starting point you will need to arrange other pieces of music around the initial riff. Say for example you have a killer guitar riff (Say a progression of chords) you may want to start the song with it or use it as the verse or chorus or main melody.</p>
<p>The other pieced of music will act to support the rest of the song. For example if you use your initial riff in the chorus you may want to use a lighter version (say an arpeggio version) of the progression or some complementary riff for the verse. Other derived musical pieces could become the bridge or the intro to the song.</p>
<p>Once you have figured out the pieces of music you will have to arrange the entire background of the song from the start to the finish as you want it.</p>
<p>Arranging is mostly done on computers using a very powerful computers say for example a machine with a 4/8 Core Intel/Mac processor. Various software like Logic can be used for arrangements. However if you are recording demo versions at home this can be done on much less powerful machines… even of your laptop!</p>
<p><strong>STEP 3: Recording</strong></p>
<p>Now as a composer or a band you need to bring in other instruments and/or vocals and record them separately.</p>
<p>For example you feel your composition could use a sitar solo in between or a Carnatic vocalist for backing vocals. (This is the stage to let your imagination soar!) The possibilities are limitless.</p>
<p>Once the lead parts of the song are recorded we can move on to the next part.</p>
<p><strong>STEP 4: Music Production</strong>:</p>
<p>At this stage you may still want to nail a particular feel and add more instruments and effects. You may add or edit certain effects to the various musical parts you have recorded so far. The amount of processing you can do for each of the tracks you have recorded is again endless.</p>
<p>A word of caution: There is a point of time whereby you will not achieve much by spending sleepless nights tweaking some process into the tracks. Just be aware when to move on to the next stage! There are bands and composers who spend forever trapped in production! Just see where you draw the line between perfectionism and paranoia.</p>
<p><strong>STEP 5: Mixing</strong></p>
<p>This is where you give everything you have produced so far to a mix engineer and give him a basic idea of what you want to achieve in terms of the sound. The Mix Engineer will thereafter mix the song and give it the correct treatment. A mix engineer’s tool is of course the multiple Channel Mixer. In a typical professional setting it could be a 24 channel mixer with the ability to process any number of tracks.</p>
<p><strong>STEP 6: Mastering</strong></p>
<p>Once you are through with each of the above 5 Steps for each song that you want on your album you are ready to move into the penultimate step which is Mastering the Album.</p>
<p>The tracks which are produced so far are sent to a Mastering Facility where the final EQ adjustment including equalising the loudness of all the tracks takes place. The tools for this purpose used are Mastering Boxes.</p>
<p><strong>STEP 7: Replication</strong></p>
<p>The Mastered Tracks that are so produced are then finally sent to (hopefully!) your label company for final replication and distribution into hopefully millions of CDs.</p>
<p>Of course now that you album is ready for distribution you will have to make a huge effort to promote the album. That would require a lot many steps and in case you are an independent artist without the backing of a Music Label these initial steps are going to be a very difficult. Yet there is no need to lose hope if you are a band or composer who has found his sound the audience is out there. Make the effort and reach out to your audience. Use the internet to promote your music.</p>
<p>Article Source: <a title="The 7 Steps to Making a Great Music Album" href="http://www.articlesbase.com/music-articles/the-7-steps-to-making-a-great-music-album-762567.html">http://www.articlesbase.com/music-articles/the-7-steps-to-making-a-great-music-album-762567.html</a></p>
<p><strong>About the Author:</strong></p>
<p>Somit Bandyopadhyay is a Music Composer, Writer and hosts the Website <a href="http://www.4guysformusic.com/">4guysformusic.com</a>! The website offers a lot of resources for budding music lovers, musicians and composers including music tutorials, equipment reference, free classifieds, forums, music Genres and Artists.</p>
<p>Contact: <a href="mailto:4guysformusic@gmail.com">4guysformusic@gmail.com</a></p>
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		<title>What&#8217;s in A Hit Song</title>
		<link>http://www.stevesmusicroll.com/2009/02/09/whats-in-a-hit-song/</link>
		<comments>http://www.stevesmusicroll.com/2009/02/09/whats-in-a-hit-song/#comments</comments>
		<pubDate>Mon, 09 Feb 2009 17:54:13 +0000</pubDate>
		<dc:creator>Stephen Kriso</dc:creator>
				<category><![CDATA[Songwriting]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[music psychology]]></category>
		<category><![CDATA[recipe]]></category>

		<guid isPermaLink="false">http://www.stevesmusicroll.com/?p=32</guid>
		<description><![CDATA[Writing a hit song takes practice, but relies on one&#8217;s ability to tell a story. Like a good book, the author will pull the reader into the work as if they are there with the characters in the story. Songwriting is very much the same. The songwriter has to use literary imagery to make the [...]]]></description>
			<content:encoded><![CDATA[<p>Writing a hit song takes practice, but relies on one&#8217;s ability to tell a story. Like a good book, the author will pull the reader into the work as if they are there with the characters in the story. Songwriting is very much the same. The songwriter has to use literary imagery to make the song connect with the person. If the person does not feel or comprehend the same feelings, the song will just be that, a song.</p>
<p>Even though songwriting has its unique forms to follow, it all comes down to the writing of lyrics that the listener will sympathize with and understand. For example, any songwriter that writes about a breakup of a relationship will be able to have listeners understand because everyone has had those feelings. On the other hand, if we talk about a personal situation that someone else would not know, we need to paint a bigger picture containing more details about the story.</p>
<p>I&#8217;m not discounting that the musical portion is not important. Trust me, it is! Any good songwriter will use create a &#8220;hook&#8221; that will keep bringing listeners back to that song or album. In other words, we need to create that section that will continuously play in your head all day. A carefully crafted song should affect the mind like a drug affects the mind.</p>
<p>A great song will grab us, lure us into the story. It should take us from beginning to a climax where we are in great anticipation of what is going to happen and then resolve at the end. Without this recipe in a song or any piece of music, the listener  will be lost  or loose complete interest in the song. That is why songs from years ago still are played on the radio today. The listeners are hooked and want more. At the same time, the song become part of them. When the song is over, there is a desire for more. If this recipe were to be followed the way it used to be followed, the music of today would be as good as it was years ago.</p>
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		<title>Life Without Music?</title>
		<link>http://www.stevesmusicroll.com/2009/02/08/life-without-music/</link>
		<comments>http://www.stevesmusicroll.com/2009/02/08/life-without-music/#comments</comments>
		<pubDate>Sun, 08 Feb 2009 17:54:01 +0000</pubDate>
		<dc:creator>Stephen Kriso</dc:creator>
				<category><![CDATA[Songwriting]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[brain on music]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[music affects]]></category>
		<category><![CDATA[psychological effects of music]]></category>

		<guid isPermaLink="false">http://www.stevesmusicroll.com/?p=22</guid>
		<description><![CDATA[Life without music would be horrible. It is the rhythm of our lives. It is what keeps us going on our daily routines. It could be thought of as the soundtrack to our being. Much like the cadences that armies march to, whatever beat is in our head, is the cadence which keeps us all [...]]]></description>
			<content:encoded><![CDATA[<p>Life without music would be horrible. It is the rhythm of our lives. It is what keeps us going on our daily routines. It could be thought of as the soundtrack to our being. Much like the cadences that armies march to, whatever beat is in our head, is the cadence which keeps us all moving.</p>
<p>Some of us have a talent to be able to create music to not only make ourselves feel better but also others. It is an art that some of us have that requires sharing. In sharing it, we become better people. We have always as a people come together with music to share in celebrations and mourning. Music truly is a part of human nature and will continue to be for generations. We should never forget that and creating it needs to continue and be encouraged.</p>
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		<title>Blast from the Past</title>
		<link>http://www.stevesmusicroll.com/2009/01/15/blast-from-the-past/</link>
		<comments>http://www.stevesmusicroll.com/2009/01/15/blast-from-the-past/#comments</comments>
		<pubDate>Thu, 15 Jan 2009 18:47:18 +0000</pubDate>
		<dc:creator>Stephen Kriso</dc:creator>
				<category><![CDATA[Industry]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[80s]]></category>
		<category><![CDATA[JB]]></category>
		<category><![CDATA[Jonas Brothers]]></category>
		<category><![CDATA[new music]]></category>

		<guid isPermaLink="false">http://www.stevesmusicroll.com/?p=30</guid>
		<description><![CDATA[The more I listen to current pop stars, the more I hear sounds from another decade. Most of the new artists, including the Jonas Brothers, borrow a large amount of their sound from artists that made history in the 80s. It&#8217;s almost as if I can switch from a current pop station to one that [...]]]></description>
			<content:encoded><![CDATA[<p>The more I listen to current pop stars, the more I hear sounds from another decade. Most of the new artists, including the Jonas Brothers, borrow a large amount of their sound from artists that made history in the 80s. It&#8217;s almost as if I can switch from a current pop station to one that plays the 80s and hear the same riffs and rhythms. Heck, even some of the vocals could be mistaken.</p>
<p>We&#8217;re almost done with the first decade in the 21st century. Will we continue to hear muisal tones and ideas be borrowed from the past? Will there be anything new and exciting? I&#8217;m sure it&#8217;s out there, but finding it is more of a challenge that finding rehashed matterial.</p>
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		<title>Jonas Brothers Christmas Album</title>
		<link>http://www.stevesmusicroll.com/2008/11/28/jonas-brothers-christmas-album/</link>
		<comments>http://www.stevesmusicroll.com/2008/11/28/jonas-brothers-christmas-album/#comments</comments>
		<pubDate>Sat, 29 Nov 2008 03:53:08 +0000</pubDate>
		<dc:creator>Stephen Kriso</dc:creator>
				<category><![CDATA[Recording]]></category>
		<category><![CDATA[Songwriting]]></category>
		<category><![CDATA[Jonas Brothers]]></category>
		<category><![CDATA[Jonas Brothers Christmas album]]></category>

		<guid isPermaLink="false">http://www.stevesmusicroll.com/?p=29</guid>
		<description><![CDATA[There seems to be quite a stir as we enter the Christmas season about whether or not the Jonas Brothers should produce an album of Christmas favorites and maybe an original or two. Considering how other popular artists have done with holiday albums in the past, the Jonas Brothers probably should follow suit in more [...]]]></description>
			<content:encoded><![CDATA[<p>There seems to be quite a stir as we enter the Christmas season about whether or not the Jonas Brothers should produce an album of Christmas favorites and maybe an original or two. Considering how other popular artists have done with holiday albums in the past, the Jonas Brothers probably should follow suit in more ways than one. The two major reasons are: their origins in church and previous boy bands, such as 98 degrees, have all done Christmas albums.</p>
<p>What would make the album different? The biggest difference I could see is in the sound that they have. The JB have a sound that almost resembles The Rembrants and Rick Springfield. People really get into the home based sound and personal life involvements. That sound combined with many Christmas favorites would make for a great album.</p>
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		<title>Holiday (Christmas) Songs</title>
		<link>http://www.stevesmusicroll.com/2008/11/23/holiday-christmas-songs/</link>
		<comments>http://www.stevesmusicroll.com/2008/11/23/holiday-christmas-songs/#comments</comments>
		<pubDate>Sun, 23 Nov 2008 15:24:28 +0000</pubDate>
		<dc:creator>Stephen Kriso</dc:creator>
				<category><![CDATA[Songwriting]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Christmas music]]></category>
		<category><![CDATA[Christmas songs]]></category>
		<category><![CDATA[holiday music]]></category>
		<category><![CDATA[holiday songs]]></category>

		<guid isPermaLink="false">http://www.stevesmusicroll.com/?p=27</guid>
		<description><![CDATA[As the holidays come upon us again, an interesting thought popped up. There have not been any new notable Christmas songs written. It seems that the traditionals keep getting redone in new ways, but no new good ones have come to the surface and stayed. With all the new things done and rush jobs initiated, there [...]]]></description>
			<content:encoded><![CDATA[<p>As the holidays come upon us again, an interesting thought popped up. There have not been any new notable Christmas songs written. It seems that the traditionals keep getting redone in new ways, but no new good ones have come to the surface and stayed. With all the new things done and rush jobs initiated, there is probably tons of material that could be tapped to create a couple funny songs that would impress the A&amp;R people.</p>
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